1 featuring Wolfram Christ with the Cologne Chamber Orchestra, conducted by Helmut Muller-Bruhl.Д¬arl Stamitz was born May 8, 1745, in Mannheim, Germany, and died November 9 in 1801 in Jena. 1 (9781901507164) by Carl Stamitz and a great selection of similar New, Used and Collectible Books. IвЂ™d love to hear his music at a summer festival.Дo you think this Viola Concerto should be performed more often? Have a listen and decide for yourself. : Stamitz: Viola Concerto in D Major, Op. His melodies are attractive, buoyant, and honestly, worthy of a revival. StamitzвЂ™s music sounds very much like early Mozart or mid-career Haydn, and it would be forgivable if you mistook his music for theirs. 1 - Hoffmeister: Viola Concerto in D Major - Zelter: Viola Concerto in E-Flat Major. This piece isВ often used for students as an exam or competition piece, so IвЂ™m guessing itвЂ™s not performed too much because itвЂ™s associated with being an exercise to pass to the next level, and therefore not programmed to in order to gain popularity via audience reaction. There are few pieces that highlight the viola as a solo instrument (one of the many reasons why the instrument is the butt of so many classical music jokes). Carl Stamitz: Concerto For Bassoon And Orchestra: Bassoon: Instrumental Work. Carl Stamitz: Concerto En Fa Majeur: Bassoon: Score. 1 is a lovely, sprightly piece, likely designed to show off the abilities of the composer. Stamitz: Duos(6) Op.19: Violin & Cello: Instrumental Album. He toured regularly, and was a freelance musician who never managed a permanent position as either teacher or as a court composer, which were, in those days, a typical way to earn a living. 40 In the Studio: Kate Lewis provides a guide for organizing a Practice-a-on for your studio that can both raise money for a charitable cause and encourage more practice from your students. The sound, from an auditorium at Baltimore's Goucher College, is pretty basic, and in general this release is oriented toward those with specialist interests, but the Stamitz performance is very fine.Carl Philipp Stamitz was a classical-era virtuoso violinist, violist, and viola dвЂ™amore player. for StamitzвЂ™s beloved Viola Concerto in D. Henle Verlag) available at Johnson String Instrument, New Englands largest and most. 499, have rarely been recorded they're competent examples of the Mozartian style, with peppy melodies, but they're not on the level of the Stamitz concerto. Concerto in D Major, no.1, viola and piano (urtext Carl Stamitz (G. The two concertos by Vienna's Franz Anton Hoffmeister, generally known as the dedicatee of Mozart's String Quartet in D major, K. The solo part itself includes multiple stops, harmonics, and passagework worthy of a true virtuoso Chiang never lets you imagine the sweat. Viola Concerto in D major, Op. These include, at times, passages in which the solo viola is set against the divided violas of the orchestra, an effect of which Mozart would hardly have thought. This concerto, composed in Mannheim, comes from a different world from Mozart's Vienna in place of Viennese compactness there is a large orchestra (perhaps reflecting the continuing influence of the Mannheim school, although the work was apparently composed elsewhere) with which the viola carries on a surprising variety of dialogues. Stamitz also apparently composed music for viola d'amore, which would be nice to hear sometime, but Baltimore-based violist Victoria Chiang and the Baltimore Chamber Orchestra under Markand Thakar deliver a decent performance of the viola concerto here, with a feel for its most distinctive quality: its large, discursive structure. 1 in D major of 1773, heard here, is one of the standards of the repertory. While pursuing this catalogue, you will be struck by the numerous ideas, musical styles, historical periods, and variety of viewpoints presented by each cadenza. The exception to the rule, however, was composer Carl Philipp Stamitz, whose Viola Concerto No. of published cadenzas for StamitzвЂ™s D major viola concerto. The reason for the paucity of Classical-era viola concertos, at least, was that then as now there were few specialist viola virtuosos. The concerto repertory for the viola is not large, and the Naxos label figures to do well among violists themselves with this trio of concertos from the late 18th century.

Stamitz viola concerto